Bianca Censori is back, and seemingly more provocative than ever. The Australian designer and cultural (controversial) figure known as much for her bold fashion statements as her association with Kanye West, has turned heads yet again — this time not just for her outfit, but for what unfolded around her. After teasing the mysterious Bio Pop (The Origin) project on social media, Censori launched the performance art experience in Seoul, drawing a scene that shifts between eroticism, design, and conceptual art.
At the center of the event was Censori herself, dressed in a skin-tight red latex bodysuit that hugged every curve with a Madonna-esque cone bra. The magenta-toned ensemble, paired with matching boots, was yet another style choice we can add to her long list of risqué fashion moments.
But the spectacle went far beyond an outfit. Inside the Seoul performance space, Censori’s art was a set of sculptures — described in press notes as sculptural “furniture” — featured masked women positioned as chairs, lamps, and other domestic fixtures. These figures, at once bound and stylized, were arranged to challenge perceptions of the human form within the context of domestic ritual and eroticized objectification.
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